Violinist Larry Herzberg, Grand Rapids Symphony's 'chief morale officer,' reflects on 36 years with the orchestra

For decades, Grand Rapids Symphony’s Larry Herzberg played his violin, two to five hours a day, seven days a week.

After 36 years with the orchestra, he decided it was time to retire in 2016. Herzberg, however, hasn’t retired from his other fulltime job as Director of Asian Studies at Calvin College.

For many years, Herzberg has burned the candle at both ends, performing with the Grand Rapids Symphony and teaching both Chinese and Japanese at Calvin College. Beginning this past fall, one fulltime job was enough.

Herzberg, age 67, said recently he’ll miss making music with the Grand Rapids Symphony. In all, he’s played violin for more than 56 years.

“What a great honor and joy it has been to play with some of the world’s best musicians and play some of the world’s greatest music,” he said. “There are thousands of violinists who would give their eyeteeth to do what I’ve been able to do.”

The native of Wilmette, Ill., joined the Grand Rapids Symphony in 1980, serving under three music directors and participating in the music director search that has brought Marcelo Lehninger to Grand Rapids.

“It’s been so exciting to watch the orchestra get better and better,” he said.

Herzberg came to Michigan in 1980 to teach Chinese at Albion College, the same year that Russian-born conductor Semyon Bychkov was appointed music director of the Grand Rapids Symphony.

A position in the violin section was open that needed to be filled promptly.

“Semyon insisted on adding 10 fulltime string players,” Herzberg said. “They were so in love with Semyon, and they wanted to build the orchestra, so they allowed me to audition privately.”

“They gave me four months to play full-time until they had the national audition,” he recalled. “Luckily, I had time to get my chops up.”

After winning the permanent position, Herzberg served under three music directors, including David Lockington, the longest-serving music director in Grand Rapids Symphony’s history, and Catherine Comet, who has the second-longest tenure.

“No conductor can do it all. Each has added something,” Herzberg said. “David Lockington doesn’t’ get enough credit for making the strings sound better and the overall sound, sound better.”

“Catherine got us to embrace contemporary music, which has continued,” he said. “The orchestra has been praised for our ability to do that. But that didn’t happen overnight.”

Bychkov left Grand Rapids in 1985 and has gone on to become one of the world’s most eminent conductors.

“He was tremendous,” Herzberg said. “Many of us remember his Shostakovich 11th Symphony was such a powerful experience, even 30 years later.”

Lehninger, who is in his first season as music director, is full of potential.

“He makes us feel like we’re making music together,” Herzberg said.

Besides the music directors, the other aspect of the orchestra that has contributed so much is the longevity of its musicians. A handful of players, including the entire flute section, have been with the Grand Rapids Symphony for 40 years or more.

“By having a large enough group of veterans who have played together, day after day for 30 years, you get better and better and tighter and tighter.” “That continuity means a lot. We know each other and each other’s playing.”

In his early years, Herzberg sat near the front of the first violin section. In recent years, he’s mostly played second violin.

“They didn’t need me as much anymore in the first violins, and I was happy to play second,” he said. “But everybody has to be a strong player. You can’t have any weakness.”

Among the most memorable concerts Herzberg remembers are performances with cellist Mstislav Rostropovich playing the Dvorak Cello Concerto and violinist Itzhak Perlman playing Tchaikovsky Violin Concerto. He has fond memories of filling in as concertmaster during performances with soprano Leontyne Price in the early 1980s.

“I can think of at least 100 different concerts that are memorable,” he said. “There have been very few unsuccessful concerts.”

Grand Rapids Symphony wasn’t his first orchestra. Before coming to Grand Rapids, Herzberg, while attending Vanderbilt University in Nashville, served as assistant concertmaster of the Nashville Symphony Orchestra for five years.

Working as Nashville studio musician in the 1970s, he played on albums with recording artists such as Johnny Cash, Dolly Parton, Kenny Rogers, Loretta Lynn, Rod Stewart, the Bee Gees, Olivia Newton John and others. He played on one of Elvis’ final albums, and on an award-winning recording featuring “Whispering” Bill Anderson. 

“It was a great time to be in Nashville,” he said. “It was the beginning of crossover when Nashville was transitioning from traditional country to a fusion of different musical styles.”

He had the same good fortune to be living in Michigan when Calvin College launched its Asian Studies program, joining the faculty in 1984.

“It’s often being in the right place at the right time,” he said. “So much of it comes down to luck.”

Herzberg did his master’s and doctoral work in Chinese at Indiana University while also playing music at one of the top music schools in the country.

“I had a chance to play chamber music on a regular basis with people who went on to play in orchestras such as the Detroit Symphony.”

Today, Herzberg teaches classes in Chinese as well as overseeing the entire Asian Studies Program at Calvin College. He had two more books published this past fall and is working on his third film about contemporary China. His wife, Xue Qin Herzberg, a graduate of Beijing Normal University, also has taught Chinese language and literature at Calvin College. 

Japanese, which he tought for 30 years, though not for the past six years, is more challenging of the two languages to learn, he said.

“There are 50 ways to say no in Japanese without ever saying no,” he said with a laugh.

His double life was possible years ago because Calvin College’s Asian Studies program was small, and the Grand Rapids Symphony played fewer concerts.

“I was able to develop my careers, both of them, gradually.”

“We only played a third to a fourth as many performances as we do now,” he said.

“By the time Calvin got busy, I knew all the repertoire,” he said.

Still, there comes a time to slow down. The life of a professional symphony musician is tougher than meets the eye.

“It’s a lot more physically demanding,” he said. “It takes tremendous physical and mental work to be able to play well on so few rehearsals, sometimes with two or three different programs in a week.”

Throughout his 36 years with the Grand Rapids Symphony, Herzberg was the self-appointed “chief morale officer” who did what he could to help colleagues keep their spirits high.

“Others, like (Concertmaster) Jamie Crawford, play the violin better than me,” he said. “I’ve tried to show my love for members of the orchestra.”

With the appointment of a new music director in 2016, as well as the ratification of a new, five-year collective bargaining agreement among other recent achievements, it’s a good time to relinquish efforts as chief morale officer.

“Right now, morale is very, very high,” he said recently. “It would be very sad if I were leaving an orchestra in decline, but the very opposite is true.”

“It’s a lovely time to leave the orchestra and be a part of the celebration,” he added. 

Herzberg isn’t disappearing entirely. He’s loaned his concert violin to colleague Joshua Schlachter. Made by Stefano Scarampella, one of the finest violin makers of the 20th century, the instrument is 100 years old in 2017.

“I’m grateful my violin will still be playing in the symphony,” he said. “I’ll be in the audience.”

But Herzberg is keeping his backup violin with him.

“I can play for my own pleasure,” he said.

Posted by Jeffrey Kaczmarczyk at 7:00 AM

Comments

1/3/2017 at 10:24 AM by Jim Elliott

Fascinating individual, very interesting history, and I really enjoyed the broad spectrum of information.


1/3/2017 at 10:57 AM by Sue Boldrey

Larry's energy is abounding and his enthusiasm for life, for beauty, for learning infuses his music and his teaching. Larry's "joie de vivre" is contagious! Whether he is in the violin section, in the audience, in the classroom,or in a garden...on either side of the Pacific Ocean, his heart touches so many people...He is truly a precious gift to all! BRAVO!!!!


1/3/2017 at 05:06 PM by Bonnie Hattis Avery

So interesting, and wonderful to hear of Larry's long-running career in music! Congratulations, Larry!


1/9/2017 at 10:45 AM by Daniel W. Mason

I enjoyed learning of Mr. Herzberg's years of music/ making with the Grand Rapids Symphony Orchestra and of his comments re: Mr. David Lockington's long tenure with the GRSO.' I wonder why Mr. Lockington left the GRSO after having devoted so much time, and effort improving the sound of the strings and having (as I understand) bringing the collective sound and programming of the orchestra to heights of professionalism and popularity that now rank the GRSO as one of the most successful ensembles in the USA today -- certainly NO easy task given the fact that many such orchestras throughout USA are going out of business. Would appreciate a response. Also, what has become of Mr. Lockington / is he teaching or conducting somewhere?


1/10/2017 at 02:22 PM by Jeffrey Kaczmarczyk

Thanks for reading, Daniel ~ David Lockington served as music director for 16 years, the longest tenure in GRS history and an unusually long term for an orchestral music director these days. Lockington chose to step down. Sometimes, conductors wish to retire or to reduce their workload. Other times, conductors will leave because they feel they've accomplished what they set out to do with an orchestra. But in recognition of his years of service, Lockington was named GRS music director laureate, the first in the orchestra's history. Typically this is a status bestowed on a music director who has had a long and transformational relationship with an ensemble and who will continue to have a relationship with the organization in the future. Lockington has conducted the GRS twice since stepping down as music director, most recently in DeVos Hall in November 2016. We anticipate he'll return again in the future. Meanwhile, Lockington today holds appointments as music director of the Modesto Symphony Orchestra and the Pasadena Symphony Orchestra, both in California. He began with Modesto many years ago will still with the Grand Rapids Symphony, and he took on the position in Pasadena more recently.


Leave A Comment

We welcome and encourage comments. Please note that your comment will be sent to our team to be approved prior to posting. You may not see your comment post right away.