Beats and Beethoven

New Thursdays@7 Format, See Below

Hear ageless classical repertoire, plus a work from a rising star composer, that the classics inspired.

Rusty Air in Carolina, composed by Mason Bates, is an orchestral work that uses electronics to bring the white noise of the Southern summer into the concert hall, pairing these sounds with flourescent orchestra textures that float gently by. Mason developed the software that allows the orchestra to easily perform the piece, allowing the percussion players to trigger the electronic sections of the piece with drum pads.

The music of Mason Bates moves fluidly between the worlds of concert music and electronica, fusing innovative orchestral writing, the rhythms of electronica and techno, and cutting edge sound design. Spanning the classical concert hall to the clubs and lounges where he DJs electronica, his music has been described by the San Francisco Chronicle as "lovely to hear and ingeniously constructed."

While studying English literature and music composition in the Columbia-Julliard program, he worked primarily with John Corigliano and also studied with David Del Tredici and Samuel Adler. Now living in the Bay Area, he is currently a Guggenheim Fellow and the composer in residence for the California Symphony.


Stravinsky
Concerto in E-flat (Dumbarton Oaks)
Gershwin
Lullaby
Mason Bates
Rusty Air in Carolina
Beethoven
Symphony No. 1
David Lockington, Conductor
Mason Bates, Composer

Eventually, someone was bound to grow up so immersed in genre-mixing that they would get both sides of the equation right. Bates has. ...The most impressive thing is how comfortably his two idioms mix.
— Symphony Magazine

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